to observe things, to keep a beautiful garden
Basic principles of garden design
Topiary Tree
Bring the Japanese feeling in your garden with these basic steps. First of all, embrace the ideal of nature. That is, avoid the things in your garden as natural as possible, things that might interfere with this natural look.
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For example, do not contain a square pond in the design as a square ponds are nowhere to be found in nature. Neither a small waterfallcloser to what exists in nature, if we compare it to a well. It is also necessary to maintain the concept of balance or Japanese sumi. As one of the main objectives of Japanese garden design is of great landscapes in the smallest village to rebuild. Be careful in the selection of items for the garden because they do not want to end fill ten ten yard with huge rocks.
Like a miniature landscape, the rocks in the garden would make mountains and lakes wouldComposed of a lake. One room was filled with sand, an ocean. With this, it is assumed that a Master Gardener on for a minimalist approach to obtain the best represented by the phrase "less is more."
The elements of time and space
One of the things that Westerners regard to the first are the many parts of the empty space in the garden. In reality, these spaces are an important feature in the Japanese garden. But call this space, refers to the elements around him and which is also surrounded. L 'Here are key concepts and yo are the best that Western civilization of the Chinese name of Yin and Yang known. If you have something to do with anything. This is pretty hard to understand an idea, but is a general rule in the Japanese garden.
An important clue for the development of a garden is the concept of Wabi and Sabi. There is no literal translation in English for these words. Wabi is unique, or essence of something;strict literal translation alone. Sabi deals with the definition of the time or the ideal image of something that could strengthen the next time the definition of the character. In view of the case, a lantern, the cement may seem unique, it would be that the lack of an ideal image. Or an old rock was covered with lichens wabi not if it's just a round boulder. Therefore, it is important that balance is found.
But it Wabi / sabi, the concepts of space and connection time. When it comes to seasons,The service must demonstrate the specific character of each individual. Japanese garden enthusiasts devote time to their gardens all year round, unlike the western desert gardener in the fall, just to see it again in the spring.
A view very relaxing in the spring is given by the brilliant green of new buds and flowers of azaleas. In summer, the lush foliage, combined with the pond to provide a fresh and powerful image. The lively show of brilliant colors of dead leaves in autumn are a prelude toArrival of winter and its white shroud of snow.
The two most important seasons of gardening in Japan are spring and winter. Japanese refer to snow on the branches like flowers sekku or snow collected. Yukimi, or snow, which is the lantern, another typical element of the Japanese garden in winter. The sleep of the garden in winter is an important consequence for our Japanese gardener, while for the western gardener spring to begin work on the garden. Perhaps because the easternSee how death as part of the cycle of life, or perhaps the western fear of death.
Services on cases
We see the garden as a microcosm of nature. If we are looking into the garden to a haven, we must "lift up" from the outside world. For this reason, fences and gates are an important part of Japanese gardens.
The fence and the gates of both symbolism and functionality. The concerns and worries of everyday life, from thistheir world that are in the garden. The fence that protects us from the outside world and the door is the threshold from where we left our everyday concerns and thus ready for the real world to see again.
The use of fences is manifested in the concept of hidden or Miegakure based. drawings of the fence are very easily and in combination with planting screen, so you do not give many clues about what is hidden inside. You can create a standard look of your garden, giving a small window in the solid wallaround your garden, if that's the case. Sode-Gaki sleeve or fences, the fences are installed in an architectural structure, this will only show a certain vision of the garden. So, we are invited into the garden and enjoy in its entirety. This makes the true understanding of the garden, in his to lose our sense of time and self management.
Basic Package
Despite the fact that some rules are applied to every garden, I do not thinkonly one type of garden. There are three basic types, which differ by setting and purpose.
Hill and Pond Garden (Chis-Kaiyu-Skike)
China imported a classic style. A pond or a room full of raked gravel in front of a hill (or mountain). This style is more mountainous areas and often use native vegetation in the mountains. Stroll gardens often use this style.
Garden Apartment (Hiraniwa)
It is derived from the use of open, flat areas in front of temples andPalaces for ceremonies. It is a style appropriate for contemplation and represents a sea "(with the use of plants to the right). This is a style often used in courts.
Tea gardens (Rojiniwa)
The function is of greater importance than the form in this type of garden. The path Roji or dew is the central point of the garden, along with tin and doors. This would be the exception to the rule. The sparse and simple to give a feeling of rusticGarden.
Formalities to be considered
Hill and the design of the pond and allows flat shin (formal), gyo (intermediate) or something (informal). Formal designs are usually found in temples and palaces were the intermediate design suitable for most homes, and informal style used in the huts of the peasants and retreats. The tea garden is one that fits in more informal style.
The Garden of the components
Rocks (Ishi in Japanese) are the main concerns of JapaneseGarden. If the stones are placed, then the garden is in perfect balance. So here's the basic rock types and the rules are presented for their positions.
The basic rocks are the large stone in a vertical position, the stone built low, curved stone stone lie, and the horizontal stone. These shall be located generally in the triads, although this is not always the case. Two almost identical cards (in the form of, for example, two high vertical or horizontal two stones), something lessOn the other hand, can be set together as husband and wife, but the use of these three, five and seven is more common.
We must further from the Three Bad Stones. These are the sick day (with a withered or misshapen top), the Dead stone (a defect apparent vertical and horizontal, or vice versa, the distribution uses a corpse), and the poor stone (Stone with no connection to the various other garden ). Use only a stone from each of the basic types of eachCluster (the rest are small, small stones and bricks to be known as a disposable). The stones can be set as sculptures in the background, a two dimensional, or with a purpose, as a stepping stone or a bridge.
If you use them as stepping stones should be between one and three inches above the ground, yet solid underfoot, as if being anchored to the ground. They can be set in a straight line, offset to the left foot, right foot (called Chidori or lapwing, after the titleShore bird leaves), or put in groups of two, three, four, five, or (and any combination thereof).
The path is passing through the stones of life and in particular through the path may have a meaning. A much larger set in stone all the way tells us this place with both feet, stopping to enjoy the view. There are many stones to specific locations. If we consider the basic design principles, we can see the exact nature of the Japanese garden.
Water (Mizu Japanese) playsan important role in the composition of the Japanese garden, due to heavy rainfall in Japan. Water may also be presented with an area of raked gravel instead of water. A stream can be represented by flat stones of the nearby river. In the tea garden, where there is no stream or pond, water plays an important role in the purification ritual chozubachi basin or water. As the water fills and empties the Shishi-odoki to scare or deer, the clack of bambooRock helps mark the passage of time.
The flow of water takes as it sounds and looks, the sense of the continuous path of time. A bridge over the water flow is often used as a supplement landscape. Bridges: a journey, as well as the ways. Hashi, in Japanese, can mean either a border bridge. Bridges are symbolic of the transition from one world to another, a constant theme of Japanese art.
Plants or Shokobutsu, a secondary role to play, the stones in the garden, but they are amain concern in the design. Stones representing what remains unchanged, trees, shrubs, perennials and should have done during the season. Earlier designs used garden plants form associations or poetic geomantic fix problems, but these have little meaning today.
decreases with Heian-style under the influence of Zen, was to use shrubs and herbs. So, for a long time there were only a few plants that tradition allows for the garden. But in the modernJapan, designers, once again extended the range of materials used. It is strongly recommended native plants for the garden have been chosen because it affects the exotic plants are not in good taste. Be aware that native plants are used in the garden, because it is in bad taste to use showy exotic plants. Although pine, cherry and bamboo immediately remind us of Japanese gardens, we ask that you use native plants on your location, you can find pleasant. If we choose evergreens as the main plantTheme and combine them with material deciduous, seasonal flowers or foliage color, we can create the appearance of Japanese garden can provide.
Now the next thing is to be taken into account in a Japanese garden ornaments or Tenkebutsu. stone lanterns are, for the West, a typical impression of Japanese lanterns gardens.Stone are not important components of the Japanese garden. The reason for this is that the ornaments are subjected to the design of the garden. Lanterns, stupas and the pools are onlyThe architecture has been completed, when a point of visual interest are needed for the design.
A good way could end garden design Yor, a well-placed lantern. The three main types (albeit with many variations) are: the Kasuga style lantern is very formal, with a stone base. In the Oribe lantern style in contrast with the style of Kasuga, the platform is under the earth. Yukimi lantern or snow is set to display the short legs, instead of a pedestal. Consider the formality ofYour garden setting of the lantern to choose.
If possible, the elements outside the garden will be included in it. For example, you can a distant mountain scenery in your work, including design, design with stones and plants in the garden.
The landscape borrowed (shakkei in Japanese) can be: off (as in a mountain in the distance), close (a tree just outside the fence);) high fence, an element (as seen above or low (as part of a seen under a fence orthrough a window in the enclosure).
What has been perceived to object to our sense of enclosure, reminds us how everything is interconnected.
The feeling of your garden
The Japanese garden is a place full of subtle contradictions and constraints. Where well-defined rules are broken with different rules. If you meet the Buddha on the road, you have to kill him is a Zen paradox that can not adhere as firmly to recommend the rules and the same goes for Japanese gardens.
IfConstruction of a Japanese garden, not too much in the traditions that hold little meaning for you hanging. He would not have the function of creating a new Buddhist Sacred Garden. This applies to try to remember the importance of positioning in stone, because this method is no longer used in Japan, or even the United States, due to a lack of sense for us in the modern world.
Therefore, we have some suggestions, gardening and maintaining relevance integrate selected in a garden. These threeIdeas for gardening to give a direction to get perfect results.
First
The general attitude of the garden should always be the right thing for the site, not vice versa.
Second
The stones should come first, near the trees, shrubs and then.
Third
Get used to the concepts of Shin gyo, and so on. This is a great help to work on the garden.
We have in mind are the true traditional Japanese gardens in Japan. What can we do inAmerica should be designed in a Japanese style garden. Rikyu said of the perfect Roji "Thick green moss, all pure and sunny warm." In other words, the techniques are not as important as the feeling you evoke in your garden. Put another way, the feeling is more important than technical.
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